This exhibition delves into the rich variety of Limburg's banners and flags. Banners and flags served not only as symbols of identity and pride, but also reflected the cultural, economic, social, and artistic influences of their time.
They were used by marching bands, trade unions, and churches, offering a visual narrative of historical periods. The banners are adorned with intricate symbols and patterns that reflect the community life of their era. Flags from trade and professional associations illustrate the rise of labor movements, while churches used banners to reinforce their religious influence and sense of community.
For this exhibition, Bureau Europa collaborates with Tracé – Limburg’s Social Archive, curator Doortje Lucassen, and Andrea Peeters.
Banners and Flags — we all know them, but what exactly is the difference? Simply put: a flag flutters, a banner does not. A flag is better suited for recognition from a distance, is often made of lightweight, colorful silk, and is recognizable on both sides.
A banner, on the other hand, is more formal and heavier, often made of velvet and richly decorated with embroidery, gold braid, and appliqué. This crown jewel, used by associations to identify themselves and distinguish from others, was displayed at public events. By appearing together, they ultimately still presented a unified front. Marching bands and fanfares, marksmen's guilds — they all rallied behind their emblem, which they still proudly present to this day.
The collection of flags and banners held by Tracé – Limburgs Samenlevingsarchief originates from defunct Limburg trade union branches and professional organizations, covering the period from 1900 to around 1970. The collection is marked by great diversity in both execution and design. It features multiple artistic styles, traditional techniques, and varying levels of craftsmanship.
One of the most prominent artistic styles present is Neo-Gothic, embraced by the Roman Catholic Church in the mid-19th century as its ideal visual identity. The strongly Catholic character of Limburg is vividly reflected in the association banners. In the early 20th century, Neo-Gothic left a significant mark on banner design, with impressive gold and silk embroidery — and to a lesser extent, on flags. After 1920, the flag began to gain ground; thanks to new techniques, a brighter, more graphic design style had the chance to emerge.
The banners and flags are rich in universal symbolism. Consider the sun, which carries powerful meaning in both religious and secular contexts. With its radiant presence, it represents not only a ‘deity’, but also strength, victory, and hope.
Dates Friday, 16 May – Sunday, 22 June 2025
Location Bureau Europa, platform for architecture and design
Admission Regular rates apply. Open Wednesday to Sunday, 12:00–17:00