The Bronze-Green Oak Wood is an exhibition exploring how we observe and depict nature, from landscape to back garden, vista to urban greenery, and from bio-utopia to an overgrown ruin’s 'unleashed' flora and fauna.

People who are born deaf and blind gain little or no information by hearing and seeing, they have to rely on touch and movement. How they then express themselves is unique and often difficult to understand. Nightwalking II is an interdisciplinary installation in which you can experience for yourself what it is to have been born deaf and blind. A part of the installation is the film Touched, in which dancers, experts in the field of body language, meet these people.

Het Sphinxkwartier ontwikkelt zich in rap tempo tot een creatieve en ondernemende stadswijk. Toch laten de oude fabrieken, en het definitieve vertrek van 'De Sphinx' (eind 2015), een leegte achter. Kan de ‘hippe’ herbestemming dit gat vullen?

Organised by CNME and Bureau Europe, the Buiten de Perken! (Beyond Bounds) photography contest focuses on the curious contact between the green of nature and the grey of urban development. Read on for how to get involved!

In the autumn of 2015, 366 architects and designers responded to a call from Floris van Alkemade, the state architect, and Caroline Schippers (COA) for new, flexible housing solutions to provide suitable temporary homes for asylum seekers. This pop-up exhibition shows a selection of the best entries.

Roel Slabbers (1983, Ospel) explains his graduation project, Inter Esse, for which he won the 2015 BNI PRIZE. Jurgen Bey, co-founder of Studio Makking & Bey and director of the Sandberg Institute, chaired the BNI jury and explains why they chose Slabbers' design.

The exhibition The Next Big Thing is Not a Thing relates the evolving field of design to the science of anthropology. Using the gaze as a metaphor, the exhibition surveys the evolution of the design discipline and examines new fields of knowledge and critical practices. The exhibition questions the underlying myths within design, deconstructs its emerging signs, and examines how technology determines the future landscape of design.

On Saturday 9 July, during an afternoon walk through the Sphinxkwartier, architectural knowledge and performative experience combine during the Walhalla Tour.

Maastricht endeavours to be a creative city and promotes the creative industries as a top economic sector. Despite its leading art schools and Cultural Studies faculty, students leave the city en masse after graduation.

The final presentations of Intervention Design, a minor at the Maastricht Academy of Media Design & Technology (MAMDT), take place on 28 June. In this minor, lead by the teacher and journalist Theo Ploeg, students are tasked with translating media theory and their personal values into design praxis.

On 25 June, Bureau Europa presents 'Design Anthropology – Surveying the Design Discipline', a symposium investigating the evolution of the design discipline. The symposium convenes interdisciplinary professionals to discuss the underlying myths within design, deconstruct its emerging signs, and examine how technology influences the future landscape of design.

Despite receiving increasing attention, exactly where in Maastricht is the Sphinxkwartier and what is the story behind this new district? As Sphinx hype reaches fever pitch, Toos Hofstede of Viastory presents the story of the Sphinxkwartier. However, more is needed than just the story; the area should be experienced first-hand, and preferably before and during the many planned changes.

Over the last years, performance has gained momentum and appreciation in the contemporary arts. Rooted in the mid ’60 Performance was a quintessential part of several focal shifts: the critique of material and commodity driven economics, the re-appropriation of the female body in feminism and a transferal of attention in art from the final product to the process of making, to name but a few.

After two successful editions in Cologne and Shenzhen, the exhibition Domestic Affairs, a House Is a Home to a Paradox will be on display from 24 March in Qatar's capital, Doha

The design discipline has long trusted on the modernistic idea of ‘doing good’. But what is to be considered ‘good’ and ‘bad’ design in contemporary culture? What are the unintended consequences of a design? What are cultural or psychological implications in non-western contexts? On May 12, Artur Beifuss and Ruben Pater will discuss these questions in the context of increased globalisation and medialisation.

What can local raw materials teach us? How can knowledge regarding a material’s origin help us to be wiser in its use? Does better knowledge of materials lead to better approaches to the environment?

1 NIGHT – 10 ART VENUES – 14,000 M² ART – 110 ARTISTS 90 PERFORMANCES – 50 ARTISTES – 1 AFTER PARTY

Are you curious about the stories behind your city's designed environment?

Future Urban Regions (FUR) organises, together with de Academie voor Bouwkunst Maastricht and Bureau Europa, the masterclass ‘Mapping de gezonde stad’ (in Dutch)

Common Carnaval received local and national attention* and raised questions about how we shape the notion of coexistence in our city. With the arrival of refugees and newcomers in Dutch cities, the meaning of the 'co-' in coexistence is more critical than ever. Bureau Europa, het Geluid Maastricht and iArts will, therefore, review Common Carnaval to evaluate what we can learn from the project.

By popular request: workshop making bags using exhibition banners.

Transition of a City From a Poetic Perspective by Maarten van de Berg - poetry- and Bert Janssen - photography -

After a successful first edition in January at the Passagen in Cologne – Germany's biggest design event – it is time for a second edition of Domestic Affairs, in which we rearticulated the exhibition for the Chinese context!

Renowned media theorist Geert Lovink visits Bureau Europa to talk about currency design, technologies of payment, and the role of the designer in economic experiments. In the aftermath of multiple financial crises, a growing number of developers, hackers, entrepreneurs, and other creators are preoccupied with the design of our financial futures.

A special lecture series organised as part of the Design by Choice exhibition.

Photographer Kim Bouvy (1974) has been commissioned by Bureau Europa to study the specific reciprocity between the industrial history and identity of Liege and Maastricht.

Design by Choice investigates the origins of contemporary consumer society. At its centre is a representative sample of European cast iron trade catalogues.

Rise & Shine, is a performative newsroom disseminating information about projects by Dutch architects, urbanists, designers and academics on display at UABB.

This is a lecture in the series' Evaluating Alternatives, "about the changed roles and business models of the architect and designer, a subject that has been much discussed in recent years. Both within the discipline itself, as by those who ascribe much confidence in problem solving skills of designers. One speaks about a paradigm shift: no big gestures, but modest, mostly temporary designs.

In ‘Evaluating Alternatives’, a series about the designer’s new roles and business models, Bureau Europa investigates the market’s basic ideology – neoliberalism.

On Wednesday 4 November, the renowned Limburg architect Wiel Arets (1955) will give a lecture about his new buildings, the competions he has won and the latest developments with hit work. Afterwards he presents his latest book 'Wiel Arets – Bas Princen'.

The Great Indoors Award is an international, biennial, interior design award. Saturday 31 October the winners of the 2015 edition were announced in four categories, with a total prize money of 20.000 EUR.

The Great Indoors Award is an international, biennial competition in the field of interior design. This edition of The Great Indoors titled FOREVER NOW, raises the question of our relationship to now (and new) central. If we do from the perspective of the interior to look contemporary design in an attempt to understand the current trends, we see a discipline fraught with ambiguities and paradoxes.

ISOCARP, the International Society of City and Regional Planners, is organising its annual conference this October 2015 in the Netherlands, Belgium, and Germany. On 19 and 20 October 2015, a satellite part of this conference takes place in Maastricht. It is organised by Bureau Europa in collaboration with buroSTUB and StudioStad, and is commissioned by the municipality of Maastricht and the Province of Limburg under the name of "How to overcome national borders - New Economy, Old Borders", which aims to promote Euroregional knowledge and cross-border collaborations from a spatial-economic perspective.

On Friday 2 October, the architect Marc Koehler gives a lecture on the changing role of the architect within design practice. Koehler, and his office MKA, is an innovator of other methods for architecture.

See the city through the eyes of Maurice Mentjens

With the aim of promoting regional knowledge sharing and cross-border cooperation, Bureau Europa is organising several meetings in collaboration with a number of creative entrepreneurs in preparation for the ISCOCARP Congress (International Society of City and Regional Planners) in October.

IBA (International Bau Ausstellung) is originally a German concept and is characterised by long periods of engagement – usually addressing social and economic issues through spatial interventions – often for 20 years. It was successfully applied to address large-scale contraction in the Saxony-Anhalt region, and gave a boost to Duisburg and Essen through the Zeche Zollverein and the Landschaftspark.

It is with great pleasure and excitement that we announce the nominees of the 5th biannial The Great Indoors Award. The international jury selected at 3 en 4 September five architects and designers per category.

What makes work worth the effort? How do our daily actions give meaning to our lives and to our physical environment?

During the exhibition Workshop for the New World Bureau Europa will organise lectures that support the ideas of the makers of the exhibition.

To mark Pink Saturday, Bureau Europa has invited Maastricht's Het Geluid music theatre company to examine the phenomenon of 'otherness'

'First we form the architecture, then the architecture gives us form' is a well-known adage of architectural discourse. This evening, which has been specially programmed in parallel to Pink Saturday 2015, is about the relationships we have with our designed environment and how this environment determines our behaviour and our identity. In a keynote lecture by Hilde Heynen on Friday 19 June, she looks at the issues that are central to the publication: Negotiating Domesticity: Spatial Productions of Gender in Modern Architecture

In november 2014 startte Bureau Europa met Meet the Maker, een nieuw concept, dat kunstenaars, designers en performers een platform biedt, waarop zij hun werk kunnen presenteren aan een selecte groep geïnteresseerden. Dit jaar krijgt het evenement een bijzonder vervolg, door een samenwerking met het internationale modeplatform FASHIONCLASH. 5 makers werden geselecteerd een object, project, werk of performance te presenteren aan een (transdisciplinaire)groep belangstellenden. Het thema van het FASHIONCLASH festival 2015 is Gender.

Dit voorjaar zendt VPRO/Human de documentaire reeks De Volmaakte Mens uit. Daarin gaat schrijver en columnist Bas Heijne op zoek naar de nieuwste technologie die ons idee van de mens blijvend lijkt te gaan veranderen. Genetische manipulatie, nanotechnologie, kunstmatige intelligentie - de mogelijkheden om onszelf te ,,verbeteren'' zijn zo talloos geworden dat we op een kantelpunt in de evolutie lijken te zijn aangekomen: de mens is zijn eigen schepper geworden.

ISOCARP, the International Society of City and Regional Planners, is organising its annual conference in October 2015 in the Netherlands, Belgium, and Germany. On 19 and 20 October 2015, a satellite part of this conference takes place in Maastricht. It is organised by Bureau Europa in collaboration with a number of creative entrepreneurs, and is commissioned by the municipality of Maastricht and the Province of Limburg under the name of "New Economy, Old Borders', which aims to promote Euroregional knowledge and cross-border collaborations.

Residents are often invited to participate in maintaining the quality of life of their city, while our retreating government has made us complicit in the financial burden of progress. At the same time livability has acquired commercial value, which is used as an assurance for the real estate market.

At the end of April, provincial deputy Noël Lebens and city councillor Gerdo van Grootheest officially launched the development of the 'Frontenpark'. Bureau Europa has been charged with the programming of the 'Frontenpark'.

Als podium voor ontwerptalent organiseert Bureau Europa, in samenwerking met FASHIONCLASH, op 23 mei een preview van de shows die in juni aan het grote publiek worden getoond. FASHIONCLASH Festival Maastricht is uitgegroeid tot een internationaal en interdisciplinair evenement, waar opkomende designers van verschillende disciplines de kans krijgen om hun werk te presenteren. Daarnaast is het een gevestigde waarde aan het worden in de internationale modewereld.

Thanks to the successful Adopt a Bee, Honey! crowdfunding campaign, A Sky Hive Solar has been commissioned for Maastricht's Frontenpark. The €15,000 target was raised thanks to contributions from the crowdfunding campaign and the City of Maastricht. Sky Hive Solar will be launched on Saturday 25 April.

Echoing the exhibition ‘Raumplan Versus Plan Libre’ curated by Max Risselade, which took place at TU Delft in 1986/87, third year BA Architectural Design students at the Maastricht Academy of Architecture sought the contemporary significance of Loos’s and Le Corbusier’s designs.

Creative hubs: the new economic engine for urban development? What is a creative hub, who are the initiators behind those hubs and what are their ideas to start a creative hub? When can you define a creative hub as a successful initiative and what are the obstacles when initiating them? But also: how ‘bottom-up’ or informal are those initiatives and what are their financial flows? What role of the authority is needed or desired by the development of such a creative hub? To what extent is the creative professional (the artist, the designer) being ‘used’ to catalyze spatial developments? And if so, is this a bad thing?

Bureau Europa presents the third iteration of an exhibition of the work of architect Cedric Price and the first public appearance of some of his selected projects in the Netherlands. CEDRIC PRICE: The Dynamics of Time is an exhibition that introduces the work of Price by presenting a cross-section of the elements of his inventive and singular practice: sketches, project drawings, recorded talks, first-hand accounts by staff, colleagues and friends. A series of selected projects present his innovative models for industry, education, government, tourism, ecology and the house.

The exhibition about Cedric Price continues at Bureau Europa and can be visited until Sunday 22 March. During TEFAF, a number of special activities are organized: Dr Tanja Herdt will give a lecture about Cedric Price and Jan Nauta, curator of the exhibition will give a presentation.

Strategic spatial planner, architect, and researcher Jan Willem Petersen will give a workshop in which he will discuss his particular working methods on the basis of projects such as 'Assembling Afghanistan', 'Constructing Lebanon' and 'the Terrorism as Urban Practice'. Collectively participants will reflect on JWP’s presentation and discuss the surplus value of an alternative practice based on engagement rather than participation and on expansion instead of framing.

On 27 February, the architect and critic Piet Vollaard gives a lecture on the work of architect Frank Van Klingeren (1919 – 1999). This will be followed by a screening at Lumière Cinema of 'Beauty and the Right to the Ugly'(2014), the latest documentary by Wendelien van Oldenborgh, winner of the 2014 Heineken Prize.

Samantha Hardingham is currently the world’s leading scholar on the work of Cedric Price (1934-2003) and is co-curator of the current exhibition hosted by Bureau Europa, ‘CEDRIC PRICE: The Dynamics of Time’.

On Sunday 25 January, Bureau Europa is organising a winter walk: Encounters in the Rarefied Winter Air. Walk with us through the Lage Fronten.

During PASSAGEN – Germany's biggest design event – Bureau Europa, Dutch Design Exchange, and the Institute of Relevant Studies are organising the exhibition DOMESTIC AFFAIRS. We see this exhibition as an opportunity to hear a new voice of Dutch Design.

Duolecture by Bart Lens from Lens°Ass architects and curator of Bokrijk Brandmerkt, The Shift A+U architects and Gene Bertrand, program director of Discovery Centre Continuum.

Against the Grain on the narrative characteristics of architecture “Things need not have happened to be true. Tales and dreams are the shadow-truths that will endure when mere facts are dust and ashes, and forgot." The Sandman, Neil Gaiman

Sprekers: Nanne de Ru Powerhouse Company / Marc Maurer Maurer United / Paul Achterberg Quadrat

On 29 November 2014, the first edition of ‘Meet the Maker’ – a collaboration with NOTO design studio in Maastricht – takes place at Bureau Europa. Artists, thinkers, designers and performers from the Euregio present one work for one day. The work’s presentation is underscored by the encounter between the public and professionals.

On Saturday 27 September the exhibition Signed, Jo Coenen opens at Bureau Europa. Although his recent appointment as curator-director of IBA Parkstad shows his career is far from over, Coenen's 65th birthday marks the occasion for an exhibition focusing on his sketches.

Vijfenzestig jaar geleden overleed in Geulle architect Joan Melchior van der Meij (1878-1949), een van de drie grondleggers van de Amsterdamse School. Lang was er weinig over hem bekend. Terwijl zijn collega’s Michel de Klerk en Piet Kramer wereldberoemd zijn geworden, is het leven en werk van Van der Meij altijd in de schaduw blijven staan. Daar komt nu verandering in. Binnenkort verschijnt het boek Joan Melchior van der Meij, architect. Pionier van de Amsterdamse School. Een nieuw standaardwerk over een van Nederlands belangrijkste architecten.

Aan de vooravond van de Nederlandse Dansdagen besteedt Bureau Europa aandacht aan de relatie tussen architectuur en dans. Dansen is, zoals de beroemde uitspraak van Merce Cunningham luidt, "in space and time." Tijdens deze avond wordt ingegaan op de vraag op welke manier de ruimtelijke conditie, sfeer of vorm van een plek, de dans informeert of beïnvloed.

Zaterdag 4 oktober 2014 geeft Jo Coenen een rondleiding door Maastricht, langs een aantal van zijn ontwerpen. Luister naar zijn achterliggende gedachten over Mosae Forum en wat hij vindt dat we kunnen leren van stadsdeel Céramique. En hoe kunnen we de relatie tussen de Maas/stad versterken?

On May 24 at 5 pm, Bureau Europa opened the exhibition COMING SOON. With landscape as a metaphor, the exhibition asks what lies at the heart of our contemporary utopias. From inspiration in the past and urgencies of the present, to projections of possible futures, the needs and virtues of our time (ecology, economy, social cohesion and technology) are extrapolated and implicitly worked into the exhibition and its parallel program.

Camille Oostwegel ChâteauHotels & Restaurants, Marres Projects, and Bureau Europa/platform for architecture have teamed up to form a cultural research partnership. This project is called ‘Imaged Stories’ and focuses primarily on the history of the WinselerHof estate in Landgraaf.

On Tuesday, July 22 philosopher Hans Achterhuis gave a lecture about the utopia of the free market. In 2010, Hans Achterhuis was proclaimed ‘Thinker of the Fatherland’ by a.o. newspaper Trouw and Philosophy Magazine.

Against the background of the current reform of the European Common Agricultural Policy, Bureau Europa dedicates the exhibition 'Mansholt, Landscape in Perspective' to the way agriculture has determined the lay-out and shape of the Dutch landscape after 1945. Hallmark of the exhibition is the work of former minister of agriculture Sicco Mansholt,

Bureau Europa/platform for architecture, LTO and the LLTB presented on Friday, April 4, 2014: Hammering on Europe. A debate in the context of the Europan elections of May 22 2014.

In October, Bureau Europa and Bee Collective have launched crowdfunding project ‘Adopt a bee, honey!’ The funds raised for this project will be used to install the Sky Hive Solar, two bee hives on a high pole, in the Frontenpark. The Sky Hive Solar allows the initiators to bring the bee back into the city centre of Maastricht.

On Saturday 25th and Sunday 26th January 2014, the first TATA workshop took place at Bureau Europa and the Mosa Factory. Upon the invitation of the TAAT multidisciplinary collective, a group of six architects and six theatre artists came together to research the experience of time in a designed space.

Het project ‘Mijnspoorzoeker’ is in opdracht van Stadsregio Parkstad Limburg uitgevoerd. Het gewenste eindresultaat is een totaalconcept voor een nieuw te ontwikkelen hoogwaardige regionale toeristische verbinding tussen Nuth, Hoensbroek en Brunssum inclusief een daarbij horend uitvoeringsprogramma en passende globale kostenraming.

Bureau Europa is co-founder of Stad.Academie. Stad.Academie is a temporary course for ‘city makers’ with an interest in the transformative process of urban development. Due to current economic conditions, development in our cities has come to a virtual standstill. In addition, current social trends, such as smaller government and participatory citizens, demand a new attitude from those who work in and on the city. Through the lens of a number of generic themes, including monumentality, repurposing, and temporality, specific case studies from the Euregio are elaborated upon. The Stad.Academie curriculum develops new methods, abilities, and a discourse to seek alternative forms of urban activities despite a stagnant economy.

The Great Indoors Award is an international, biennial, interior design award. On 15 November, during a festive Award Ceremony, the winners of the 2013 edition were announced in four categories. The Great Indoors is an initiative of FRAME magazine, Bureau Europa/platform for architecture, and Marres, House for Contemporary Culture.

Exhibition by design and research collective Metahaven on the question how information is organised globally and what role the concept of transparency occupies within it.

Exhibition in the Frontenpark: PARKers and cultural side programme. Nine temporary works of art, consisting of installations, sculptures and a performance, a film night with Lumière Cinema, location theatre with Nightscapes and a concert with bat detector together with Intro in situ.

Recently, Bureau Europa opened its doors for the first time in the Timmerfabriek with the opening of the threefold exhibition ‘Radical Locality; actual potential’ on Saturday 8 June 2013 (17h00 – 19h00). With this exhibition/manifestation Bureau Europa conducts from 8 June through 5 August research into the meaning of the local and the role of architecture in our globalizing world.

On Wednesday 12 June Architectuurcentrum TOPOS Maastricht and Bureau Europa organized a lecture by publicist and researcher Martijn de Waal in the framework of the TOPOS lecture series ‘Raakvlakken’.

On Sunday 9 June, Bureau Europa featured all three episodes of the documentary series 'All Watched Over by Machines of Loving Grace' (Adam Curtis, 2011)about self-organizing systems, the politics of the collective and the waiver or disappearance of the individual.

On 23 April, Hedwig Heinsman of DUS architects (founded in 2004 by Martine de Wit, Hans Vermeulen and Hedwig Heinsman) spoke about the work and design attitude of DUS.

On 21 March, Piet Vollaard, director of architecture website Archined, gave a lecture about Dutch artist/gardener/philosopher Louis Le Roy, one of the main protagonists of the ‘Wild Gardening’ movement. Debra Solomon and Mariska van den Berg of Urbaniahoeve responded from their practice. This lecture officially opened the new Sphinxpark season.

Exhibition in collaboration with Princeton University about the way Playboy magazine used architecture and design as important tools to shape a new identity for the American male.

On Thursday, January 31, in connection with the exhibition ‘Playboy Architecture, 1953-1979’, Maaike Meijer, Dr. of literary studies and Professor of gender studies at Maastricht University, presents the (Dutch) lecture ‘Playboy: reconstructies van mannelijkheid’.

REcentre, NAiM/Bureau Europa and Marres Projects present until 1 July 2013 the Sphinxpark, a temporary park in the Maastricht inner city. On 26 May, the Sphinxpark was festively opened.

On Wednesday 21 November, TOPOS Architecture Centre Maastricht and NAiM/Bureau Europa organized a lecture by studio ZUS [Zones Urbaines Sensibles] in the TOPOS lecture series ‘Raakvlakken: Ver Weg’.

On Tuesday 13 November, Christoph Grafe, director of the Flemish Architecture Institute and commissioner of the Belgian entry for the Venice Biennial, will give a lecture at NAiM/Bureau Europa.

Architecture centre TOPOS Maastricht and NAiM/Bureau Europa organized in collaboration with FabLab South Limburg a lecture by 'stone alchemist' Enrico Dini.

At the invitation of NAiM/Bureau Europa and Marres, SALON/ presents SALON/Maastricht. SALON/ is a platform for fashion, design, art and culture, where both young and upcoming talents and established designers and artists present their work on various locations throughout the city, creating a cultural route.

NAiM/Bureau Europa presents ZOO, or the letter Z, just after Zionism, an exhibition that uses the book ‘The Atlas of the Conflict’ by Malkit Shoshan as an anchor point.

On 2 June, in the exhibition 'ZOO, or the letter Z, just after Zionism', NAiM/Bureau Europa organized an expert meeting that reflected on the role of an architect/artist in contemporary society.

On Saturday 28 April, NAiM/Bureau Europa showed the film ‘Mission Statements, the architecture of Dutch design’ by architect and film maker Jord den Hollander.

'Alison & Peter Smithson, The Art of Inhabitation’ shows the work of the English architecture couple Alison (1928-1993) and Peter (1923-2003), being among the most prominent and controversial architects of the twentieth century.

The exhibition Common Grounds investigates the possibilities inherent to the temporary redevelopment of disused urban areas. Curator: Saskia van Stein

Lecture by Stealth.unlimited (Ana Džokić and Marc Neelen) What are the opportunities of the temporary redevelopment of properties? What is the potential of vacancy?

Walking with Maurice Mentjens, world renowned interior designer from Holtum, along Maastricht city center and visiting the 5 student projects that were realized within the framework of The Great Indoors 2011 Education Programme.

In November 2011, the third edition took place of The Great Indoors Award, a biennial international event in the field of interior design.

Within the Great Expectations Award, the best student projects in The Great Indoors Education Program were awarded a prize. The jury consisted of nominees for The Great Indoors Award 2011.

Ronald Rietveld spoke about VACANT.NL which tries to change the mindset about vacancy involving a social problem and to put the issue on the political agenda.

REcentre, centre for sustainable design in the Meuse-Rhine Euregion, presented several best practices from home and abroad, and compared these to eight projects from Maastricht and the region.

NAiM/Bureau Europa presented a workshop on the concept of Time Bank/Time Store and opened a temporary Time Store.

During the festive opening event of Re-Action!, Kate Bull, co-founder of The People’s Supermarket (UK), spoke about the importance of social innovation as a catalyst for sustainability.

This project showed how fashion houses, avant-garde designers and young, as yet unknown fashion designers utilize film, video and on-line media to give their designs form and to support their distribution and sales.

Out of Fashion Maastricht Edition presented a series of activities and events.

Past, present and future of Maastricht area Céramique were presented in Club Céramique with various activities and events.

In November 2011, NAiM/Bureau Europa transformed into ' Club Céramique', an extensive activity program inspired by the public discussion about the Céramique area.

Sound installation 'Panels. An inquiry into the spatial, the sonic and the public' by artist Paul Devens could be experienced, viewed and heard. An alienating architectonic experience with a major role for sound/light.

In the documentary 'Koolhaas Houselife', housekeeper Guadalupe Acedo guides the spectator through the Maison à Bordeaux, designed by Rem Koolhaas and his studio OMA in 1998. An experiment that enables a different way of looking at - and representing - architecture.

Sonic-architectonic installation Panels created an exceptional setting for a symposium and performances on space and sound. In this setting, various artists, theorists and architects gave lectures and performances right in the installation.

'Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X–197X' was based on research by Beatriz Colomina (Princeton University) into the way architects publicized their views in self-initiated magazines in the 60's/70's.

Lectures and round table discussion on the occasion of exhibition Clip/Stamp/Fold.

In 2010, NAiM/Bureau Europa presented the work of the Campana brothers, the most significant designers in present-day Latin America.

Presentation by Bart Dekker about the start and the ideas of Transition Town Maastricht: the realization of Maastricht as edible city. Also presentation of the film 'The Power of Community'.

Under the title ‘Changing Ideals 2: The Sequel, NAiM / Bureau Europa presents current social developments in architecture and design.

'Rien ne va Plus' (Architecture in times of crisis) and'Reading Europe' (A collection of ideas on architecture and design) Result of a cooperation with magazine A10 for research into the possible assignment of architecture.

Also during The Great Indoors 2009, workshops were organized for students from academies in Maastricht, Eindhoven, Aachen and Genk. Participants were challenged to design an interior addressing the theme 'Changing Ideals' .

In November 2009, Maastricht hosted the second edition of The Great Indoors, a biennial international design event in the field of interior design. Besides a workshop and lecture program, an international professional jury granted five awards to excellent designs in five categories.

In November 2009, Maastricht hosted The Great Indoors, biennial international design competition. Awards were handed out, and a special design route presented the results of The Great Indoors Workshops.

‘Cassette a forma di casa’ presents 20 wooden architectural models, sketches and photos of De Lucchi, providing insight into a more autonomous artistic ambition of the designer.

Expert meeting 'Interior in the oeuvre of Jef Cornelis' in cooperation with Jan van Eyck Academy.

Parallel to exhibition 'Rien ne va Plus' the building industry and the underlying economic, social and cultural mechanisms were discussed.

'Reading Europe' is a long-term project, aimed at archiving and explaining the diversity of developments and visions in architecture, urban development and landscape architecture in Europe.

More attention for the still unknown potential of product design. That is what curator Alexander van Slobbe wanted to achieve with the project 'NL = Nieuwe Luxe'.

In this workshop by Alexander van Slobbe, 21 studenten (ABK Maastricht and Design Academy Eindhoven) designed a wedding dress without the use of a sewing machine.

The VROM Council organized together with TU Delft and NAiM/Bureau Europa a meeting on socio-cultural trends that determine the future housing demand.

'Changing Ideals: Re-thinking the House' confronted very different living concepts with each other, ranging from the Domus Cosmographica to the Mauritshuis and the television culture of the the Big Brother House.

In Salon 'The Order of Things' Rianne Makkink and Jurgen Bey presented their views on the house and the interior.

Discussion about the most recent developments concerning the house with architects: Tony Fretton (London), Jacob van Rijs (MVRDV, Rotterdam), Don Murphy (VMX, Amsterdam). Discussion leader: Wim van den Bergh (Professor of Architecture RWTH Aachen)

Freud regarded the dream as the guardian of sleep. ‘State Alpha, on the architecture of sleep’ examined to what extent the same can be said about architecture. The exhibition stimulated visitors to reflect on how architecture organizes our sleep.

Double lecture by Bert van Bunningen and Fred Greve.

NAiM/Bureau Europa outlined a program on the fault line between architecture and design, with the interior as common thread. The first in a series of three exhibitions is titled ‘The Human Habitat’ presenting architect, designer, theorist and monk Dom Hans van der Laan (1904-1991).

NAiM/Bureau Europa organized a unique Dom Hans van der Laan event, with an excursion to his master piece in Mamelis: the St. Benedictusberg Abbey. After the excursion, Ruud Lammerink gave a lecture on Beauty, measure and rhythm.

‘THUIS’ is the title of an installation by Christoph Seyferth. The work of this self-taught designer is diverse; he designed his own house in Maastricht, designed sports eyewear for Adidas and realized several interiors and furniture designs.

During the Maastricht Museum Weekend, NAiM/Bureau Europa changed into a convent. Following the concept 'Ora et Labora' visitors experienced the timetable of a monk or nun with prayers, hymns, meals and lectures.

Choreographer: Bruno Listopad & Korzo productions Dancers: Amaranta Velarde González and Angelina Deck

Charles Jencks, American architecture critic, landscape architect and designer, gave a lecture titled 'The Garden of Cosmic Speculation'. He discussed his work and spoke about cosmic themes and the question of cultural identity.

The architect P.J.H. Cuypers (1827-1921), master of the nineteenth-century architecture, is mostly known in the Netherlands for his large-scale projects such as the Rijksmuseum (1876-1885) and Amsterdam Central Station (1882-1889), but also for the enormous amount of churches he designed.

Lecture by Bernadette van Hellenberg Hubar on the art studio of the firm Cuypers & Stolzenberg, a modern equivalent of the medieval building lodge.

Two lectures by speakers Cor Bouwstra & Anne van Grevenstein on the restauration of Kasteel De Haar in Haarzuilens and the restauration of the Rijksmuseum.

Clerical attendant Régis de la Haye discussed the restoration of the basilica 'Onze Lieve Vrouw' in Maastricht, one hundred years later.

90 students from Design Academy Eindhoven, Academie Beeldende KunstenMaastricht, and Akademie van Bouwkunst Maastricht participated in five different workshops given by the nominees for the awards.

In 2007, the theme of international biennial THE GREAT INDOORS AWARD was 'Branded by Space': the increasingly dominant position of interior design on the private and public domain.

As part of an exhibition of his work, De Lucchi gave a performance in which he turned his autonomous artistic ambition with a chainsaw into an architectural object. Sawing from a tree stump he created a small wooden house, which was incorporated in the series Casette a forma di casa.

Lecture by Cuypers expert Aart Oxenaar: “Pierre Cuypers discovers that traditional architectural types cannot readily be implemented in the city, but that the architect should react to these types, if he aspires to give a meaningful contribution to the streets through his work.”

Lecture about Cuypers as an inspired architect with a mission. "He believed in a community ideal, in an architecture that could change society, in the 'Gesamtkunstwerk' and in Gothic Revival as the only legitimate architecture style."

The retrospective exhibition ‘Jean Prouvé, The poetry of the technical object’ is developed by the Vitra Design Museum in Weil am Rhein in collaboration with the Design Museum Akihabara in Tokio and the Deutsche Architektur Museum in Frankfurt.

In the context of the first Bipolis, a manifestation on creative industry, NAiM/Bureau Europa, Z33 Hasselt and Het Domein Sittard collaboratively organized a project on the theme of food, with the working title ‘Food for Thought/Thoughts on Food’.

NAiM brought together the official national architects of the Netherlands and Belgium for a unique evening lecture. They presented their views on architecture and urban development in the Euregion and on the differences and similarities between the Netherlands and Belgium.

With the opening exhibition ‘New Faces in European Architecture: David Adjaye, Jürgen Mayer H., PLOT = BIG + JDS, SeARCH’, the NAi Maastricht presents an avant-garde of (young) European architects in the Kolommenzaal.

Based on their own personal histories and sources of inspiration, young architects Monica Adams and Juliette Bekkering presented their views on architecture and illustrated the backgrounds of their realizations and future projects.

Lectures by Prudent de Wispelaere and Jan Vercauteren on the entirely renovated Céramique site in Maastricht, well-known project of former Chief Government Architect of Maastricht architect studio Coenen.

In the context of the exhibition New Faces in European Architecture, major European avant-garde architects Bjarke Ingels and Bjarne Mastenbroek spoke about their personal views on urban issues of the future.